HiveComb

Oh, thank you, Chaz. The whole point of like doing the article is just to like promote other artists outside myself and I have nothing, that's nothing to do with me. Yes.

No, I know. I know. It's always nice, you know, different people are using different tools in helping promote and bring eyes to different artists, you know, and not all of us can be Bobby Baker and do interviews and do all those lovely things showcasing artists.

I can't do spaces on 280 HD but I can write an article on one today. Well, there you go. Well, there you go.

You're doing your part. You're doing your part and I'm sure everybody's very thankful for that and that's just giving back to the community. It all comes back to you're doing your part to give back to the community and that's awesome.

That's awesome. But, well, who was, somebody was going to say something, a point or something? Oh, Vicki. I was going to do, oh yeah, Vicki was going to do a poem and I was going to do a poem and I was going to point out you all sent me down a rabbit hole about pen and ink sketches and I remembered one I did and I thought of you.

I drew a pair of my boots that when I was down in Mexico I had some boots handmade while I was down there and I drew them during Inktober one year so I posted it in the book since I can't put it at the top. that makes it so much worse. Well, let me find it and I will put it on top but I did see that Wild Bill put up a ink piece up there that was interesting too.

I found that. Did you do that by hand the one on the left? Is that because I see a picture of him next to it? Wild Bill. Can you still hear Wild Bill? Yeah, all three of those are traditional work.

Wow, that's really pretty cool. That one was the only pencil work that was done on the ink one was like the outer frame and stuff like that. Everything else is just straight.

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